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Jed Dorsey’s Story…in his own words

Jed Dorsey is a capturer of light on canvas. His passionate use of color explodes onto canvas in a way that  draws the viewer into the landscape.”

I represent the fourth generation of artists on my mom’s side of the family. My dad is also a professional artist. I always had the opportunity to practice art as a child. I sold paintings as early as 11 years of age when my family had their “Dorsey Gallery” at the local fair. I remember a few kind parents of my friends buying my paintings for $10 which quickly turned into cotton candy and a few rides. As I grew older other interests such as music and sports called for my time and I didn’t paint much for several years. 

That changed after I married my beautiful Canadian wife, Renae. On a trip to Whistler, B.C. in 2001, we stumbled on some galleries that were showing some vibrant oil & acrylic paintings. My family had always done watercolors so this was something different and very appealing to me. That very week on our vacation, I bought my first acrylic paints and spent countless hours painting in this new medium. I loved it. Thus began the journey.​

I painted for many years as a secondary pursuit but in 2016 took the plunge into full-time art while living in Indianapolis. My studio was located at the Harrison Center for the Arts, an incredible arts organization. What an amazing opportunity for me as an emerging artist to be part of such a vibrant and creative community. I now make my home on Camano Island where I grew up. There is nothing quite like the stunning views of the Pacific Northwest. I will never tire of the the view when driving over the bridge onto Camano Island. It is a scene I have painted over and over. 

I like how light changes objects, from garbage cans, to buildings, to plants and trees, creating shadows and diverse colors. One of my favorite subject matters to paint is filtered sunlight shining through trees onto a road, river, sidewalk, or path. It is an invitation to the viewer. I paint landscapes and cityscapes because I have lived in both rural and urban spaces. I see beauty in both. Whether I am painting on location or painting from a photograph, I create the scene in a way that I find aesthetically pleasing. I don’t want to just duplicate a photograph. 

​I am thankful to have had the opportunity to study under some great artists like Mike Svob, Ovannes Berberian, John Michael Carter, and the late Robert Genn. There are others that have influenced my work, like Michael O’Toole and Kim English. I have learned so much from all these artists. My parents continue to be a huge inspiration and encouragement to me. Renae walks on this path of artistic endeavor with me daily and is a constant source of friendship and support. Our daughter, Willow, also helps by naming paintings and is an enthusiastic supporter of my work.

RÉSUMÉ / CURRICULUM VITAE

SOLO EXHIBITS

October 2018 – “Home” – Sunnyshore Studio, Camano Island, WA

October 2017 – “Inheriting Indianapolis” – Harrison Center for the Arts, Indianapolis, IN

August 2017 – Frankfort Library, Frankfort, IN

July 2017 – “There and Back Again” – Sunnyshore Studio, Camano Island, WA

October 2016 – “West Coast Memories” – Grace Vancouver, Vancouver, B.C.

August 2016 – “”Roads, Rivers & Paths (and Other Places I Love)” – Harrison Center for the Arts, Indianapolis, IN

September 2015 – “The Sun Also Rises” – Harrison Center for the Arts, Indianapolis, IN

October 2014 – “A City to Live” – Harrison Center for the Arts, Indianapolis, IN

December 2013 – “Urban Landscapes” – Harrison Center for the Arts, Indianapolis, IN

November 2012 – “Casting Shadows – the Unity of Light” – Harrison Center for the Arts, Indianapolis, IN

March 2010 – “There and Back Again” – Vancouver, B.C.

Group Shows

January 2019 – Dorsey Family Show – Covenant Shores – Mercer Island, WA

November – December 2017 – Christmas Show – Sunnyshore Studio, Camano Island, WA

July – October 2017 – Annual Hoosier Salon Show, Indianapolis, IN

June 2017 – Indiana Heritage Arts, Nashville, IN

May 2017 – Encore Sotheby’s International Realty – Indianapolis, IN

April 2017 – “Blossoming” – Harrison Center for the Arts, Indianapolis, IN

December 2016 – “Beaches of Camano” – Sunnyshore Studio, Camano Island, WA

October 2016 – “Soldiers and Sailors Monument Show” – Harrison Center for the Arts, Indianapolis, IN

July 2016 – Porch Party Group Exhibit – City Gallery, Indianapolis, IN

May 2015 – “Urban and Rural Landscapes” – Harrison Center for the Arts, Indianapolis, IN

October 2014 – “Homecoming” – Harrison Center for the Arts, Indianapolis, IN

September 2006 – Family Show – Scott Milo Gallery, Anacortes, WA

August 2005 – Family Show – Gunnar Nordstrom Gallery, Bellevue, WA

October 2003 – Group Show – Federation of Canadian Artists, Vancouver, B.C.

May 2002 – 2018 – Camano Island Studio Tour, Camano Island, WA

October 2001 – 2004 – “Arts in the City, Arts in the Sanctuary” – Grace Vancouver, Vancouver, B.C.

Other Exhibits

December 2016 – January 2017 – Featured Artist – Patachou Downtown, Indianapolis, IN

April 2015 – Featured Artist – Patachou Broad Ripple, Indianapolis, IN

2006 – 2016 – Seagrass Gallery – Camano Island, WA

2002 – 2006 – Gallery in the Loft – Camano Island, WA

Awards

Sept 2018 – 1st Place – First Brush of Fall, Michigan City, IN

Sept 2018 – Best of Show – Carmel on Canvas, Carmel, IN

April 2018 – 3rd Place – First Brush of Spring, New Harmony, IN

September 2017 – 2nd Place – Carmel on Canvas, Carmel, IN

September 2017 – Purchase Prize – Carmel on Canvas, Carmel, IN

September 2017 – 1st Place – First Brush of Fall, Converse, IN

August 2017 – Purchase Prize – Kekionga Paint Out, Ft. Wayne, IN

August 2016 – 1st Place – Zionsville Paint Out, Zionsville, IN

September 2016 – 3rd Place Quick Draw – Carmel on Canvas, Carmel, IN

September 2016 – Honorable Mention – Carmel on Canvas, Carmel, IN

Jed Dorsey’s show “Radiant Landscapes” opens at Sunnyshore Studio on Saturday, October 5, 10am-5pm. Visit our Gallery @ 2803 SE Camano Drive, Camano Island, WA, or shop online here:

Camano Arts Association to Launch Patron’s Program. Will you join us?

By Jason Dorsey

The Camano Art Association (CAA) is launching a patrons’ program. The formal launch takes place at our first annual Patrons’ Party at the Camano Center on Friday, November 1. This will be evening you won’t want to miss! Might our patrons’ program be for you?

  • Do you share a love for art, nature and community?
  • Do you value the symbiotic relationship between local artists and their patrons that has allowed for Stanwood-Camano’s growing colony of artists?
  • Do you want to encourage the next generation of artists in the Stanwood-Camano region?

Here’s more about our community of artists, our vision, and how our patrons’ program might be a fit for you.

What is the Camano Art Association?

The Camano Arts Association (CAA) is a grassroots organization of close to 100 local artists, friends, and patrons of artists that enriches the Stanwood-Camano community and deepens our awareness, appreciation, and education of art.

Meet two of our artists: Chaim Bezalel and Yonnah Ben Levy.

What is CAA’s Vision?

CAA’s vision is that our region would be a center and destination for art in the northwest.

To accomplish this CAA cultivates meaningful relationships, professional growth, and access to a growing network of artists and art lovers who increasingly view Camano Island as a destination for fine art.

DID YOU KNOW?

That the Stanwood-Camano Island region is an art destination!

  • Every year, more artists move to Camano Island and join CAA to further their art careers and interact with other talented artists. Today, we have close to 100 members in CAA.
  • The annual studio tour attracts thousands of visitors and art buyers to the studios, galleries, and homes of artists over two weekends in May.
  • Camano Island is home to give galleries and two outdoor sculpture parks that are open year-round.

That art is a community resource!

  • Art is an important economic engine for Camano Island and Stanwood, driving tourism and other investments.
  • CAA hosts events throughout the year to cultivate opportunities for artists to learn from each other, grow their art business, showcase their art, and connect with more art lovers.
  • CAA is investted in the future of art and regularly supports artists through mentorship and scholarships.

That art brings people together around shared values!

  • We love Camano. We are inspired by the unmatched beauty of our island community.
  • We recognize that art brings together diverse points of view around a shared love for creative, artistic expression.
  • We believe art can motivate change, cultivate relationships, and deepen our understanding of the world we live in.

We invite you to join our family of artists as a friend, collector, or patron.

What is CAA’s Patrons’ Program?

There are three different ways to participate in CAA’s Patron Program.

  • As a Friend: pay the $55 membership fee.
  • As a Collector: purchase $300 or more of art at the CAA group show that is taking place Friday, November 1-Saturday, November 2, 2019 at the Camano Center.
  • As a Patron: donate $500 or more to CAA to help us achieve our vision.

What do I get if I join CAA’s Patrons’ Program?

There are rewards for those who join the CAA’s Patron Program:

  • Friends: (1) are invited to our Patrons’ Party that takes place on the Friday evening of the CAA group show (Friday, November 1, 6-9pm) and are listed in our Patrons’ Program booklet; (2) can participate on a CAA committee and attend our monthly meetings; (3) receive a hand-crafted gift from a CAA artist at the Patron’s Party.
  • Collectors: (1), (2), and (3) from above, plus, (4) a special visit to a CAA artist’s studio of your choice; and (5) potentially honored at one of CAA’s monthly meetings when we celebrate our collectors/patrons.
  • Patrons: (1), (2), (3), (4) and (5) from above and (6) included in our monthly newsletter as a featured patron of CAA.

What should I do if I would like to be part of the Patrons’ Program.

  • Contact Jason Dorsey, j.dorsey23@gmail.com and indicate your interest in the patron’s program.
  • Plan to attend the Friday, November 1, First Annual Patron’s Party at the Camano Center. The party is from 6-9pm with the program taking place at 7:00pm.

Second Annual Work Party at Jack and Ann Dorsey’s Home on Saturday, July 13th.

On Saturday, July 13th, Jason Dorsey is organizing the second annual work party at his parent’s home on Camano Island, WA (2772 SE Camano Drive). Work will begin at 9:00am. We’ll break for lunch and wrap work up around 2:00pm. After this whoever wants to stay is invited to an afternoon playing on a beautiful Camano Beach (2:30-5:00pm) and BBQ dinner at Sunnyshore Studio (2803 S.E. Camano Drive).

You can come for any part of the day you would like!

Last July, Jason Dorsey held the first big work party. A great crew helped out. We split and stacked wood for the winter, dug out and filled a drainage ditch, cleaned the shake roof, weeded the flower garden, pulled ivy and lots of other stuff.

Here are some photos from last year.

Afterward working we played at Inverson Beach, making a huge raft.

If you plan to attend the work party let Jason know (j.dorsey23@gmail.com) so that he can plan food accordingly!

Opening Weekend of Camano Studio Tour a success and fun too!

Sunnyshore Studio participated in our fourth Camano Studio tour. Our first year was in 2016. Our space wasn’t finished. We hung art on the exposed studs. It was a joy to showcase our family of artists.

That joy continued for the opening weekend of the Studio tour in 2019. We Besides showcasing family of artists that spans five generations, we also had five guest artists and sold a lot of art!

As always the best part of the tour is seeing friends, and connecting to collectors and patrons. We are super thankful for their friendship and support and patronage over the years. It helps us do what we do. We made up this little video to thank them, and to give you a picture of our little studio tucked on the south end of Camano Island.

For example, high school friends Harry Baird and his wife Maria, and Todd Bonnifield and his son stopped by for an afternoon.

A man who had purchased Jason’s artwork back in the late 1980’s at the Stanwood Camano fair (helping put Jason through college!) stopped by to visit and talked to Jason about a commission to go above his mantle. How amazing is it to have built connections through art that last through the decades.

Another neat story happened to Jason. He was rummaging around at his desk when a woman stopped and was looking at his children’s books and original illustrations for them. They struck up a conversation and Jason told her that he had gone to Stanwood High School. She asked if he knew her nephew Tom Hamilton. Jason said that he and Tom had been classmates, played football together and were friends.

“Matter of fact” he said, “Tom is in this book that was just released.” He opened it up to the back pages and showed her a photo of Tom and himself dressed up in Camo and face paint and headed out to the woods on the fateful night of the story. It was an amazing moment, and a reminder of how very small our world can be at times!

She bought two books, one for Tom.

Jennifer Kelly, who was Jason’s English teacher at Stanwood High School visited the studio with another teacher, Brenda Taylor. Jennifer bought one of the original illustrations! Jason is very thankful for her nurture and support over the years. Brenda bought one of Jackie’s paintings (if memory is correct).

Speaking of Jackie Dorsey, she had a very successful opening of her studio. She painted for sweet watercolors, that her dad helped her frame. And they were sold by noon on Friday!

Dismas Smith of “This Coffee Life” roasted a special Sunnyshore Studio coffee at Dark, Medium and Light Roast and did pour overs for people to taste the coffee. It was so fun to have Dismas a part of this show.

We are honored once again to open our doors to so many people to share the beauty of Camano Island and to build community through art!

Sunnyshore Studio featured in recent Spane Building Video

Sunnyshore Studio was a decade old dream of Jason and Jenny Dorsey to showcase their family’s art and share the beauty of Camano.

It came true when Jason connected with his old high school friend, who also happens to be the president of Spane Building, Inc. Here’s the story of how their dream came to be a reality in partnership with Jim Spane and his team.

Dorsey shares plan for twelve book “I Remember” series

Jason Dorsey’s new children’s picture book, I Remember Running Through The Woods, is coming out in January. At Sunnyshore Studio’s “Christmas in Miniature Show” a poster displayed Jason’s projected books in this 12 book series.

We caught up to Jason this week. Here is our interview with the author/illustrator of the ambitious I Remember children’s book series.

Sunnyshore Studio: When did you first dream of the I Remember children’s picture book series?

Jason:  Our family moved to Indianapolis, IN in 2002. In 2003, I must have been missing my dad and the fishing waters of the Puget Sound, so I began to sketch a draft of what became I Remember Fishing with Dad. Being who I am, it was not long after those early sketches that I conceived of a twelve book series with each book starting with I Remember.

Sunnyshore Studio: I Remember Fishing with Dad wasn’t published until October of 2015. Why did it take so long from conception to publication?

Jason: Mainly because I had no idea what I was doing. I had never written a children’s picture book before so I had a lot to learn about storytelling and illustration. I went to children’s book conferences, hired children’s book coaches, and submitted the manuscript again and again. In fact, by around 2013 I had given up. I still view it as a minor miracle that an old friend named Shelley Huston, who ran a small publishing company, reconnected with me and published the book. I tell this story in my post “A Tale of Many Rejections.” 

IRFD Cover

Sunnyshore Studio: What is your vision for this series? 

Jason: I want to tell stories that both delight and instruct. I want children and adults to enjoy the stories and the artwork that goes with each story. But they are more than just a collection of stories about a boy growing up on an island. Each story explores a universal theme, and, I hope, provides some insight to it. I Remember Fishing with Dad explores the significance of the father-son relationship. I Remember Running through the Woods, uses the ever-changing woods to talk about how to deal with change.

Sunnyshore Studio: Why do you start each book with “I Remember”?

Jason: Because I want to emphasize how very important the memories of childhood are and because I want to encourage the making of “sacred memories.” In our childhood time moves slow and the memories we make go deep into who we are, shaping us, and even, as the Russian author Fyodor Dostoyevsky puts it in The Brothers Karamazov, the “instrument of our salvation one day.”

 “Let us never forget how happy we were here, when we were all together, united by such a good and kind feeling…My dear children, perhaps you will not understand what I’m going to say to you now, for I often speak very incomprehensibly, but, I’m sure, you will remember that there’s nothing higher, stronger, more wholesome and more useful in life than some good memory, especially when it goes back to the days of your childhood, to the days of your life at home. You are told a lot about your education, but some beautiful, sacred memory, preserved since, is perhaps the best education of all. If a man carries many such memories into life with him, he is saved for the rest of his days. And even if only one good memory is left in our hearts, it may be the instrument of our salvation one day.”

These lines have been an inspiration for this series from the beginning.

Sacred Memories

Sunnyshore Studio: These stories are about a boy growing up on an island. Camano Islanders will recognize the island as there own. Why did you choose to base the stories on Camano?

Road to the State Park

Jason: I believe place matters. Since most of my “sacred memories” took place on Camano, I’m basing the stories in my place (though I never mention the name of Camano). The story lines are built on memories that other northwesterners share: like salmon fishing, playing in the woods, bringing in the hay, picking wild blackberries. In fact, a few weeks ago at the “Christmas in Miniature” show, I had a long conversation with a couple who grew up blackberry picking like I did. It is amazing at how similar our experiences were. The same can be said of fishing, and so on. Yet, even though the story is based in the northwest, the themes are universal and, I hope, accessible to everyone.

Plus I like maps in stories. So this gives me a chance to put maps in each of my stories.

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I hope by celebrating a specific place, I can encourage people to value the places in their lives too!

Sunnyshore Studio: One of the special aspects of this series is that your dad partnered with you to illustrate the first two books. Why did you choose to do this?

Jason: For the first book, I Remember Fishing with Dad, I thought it would be cool to have my dad illustrate the book with me since it is about the father-son relationship and since he lived the story with me. Plus, I really wanted, and needed his help to make great illustrations. In 2006 we spent a week painting what would be the first round of illustrations for the book. We had to redo many of these in 2015. So it was quite a process.

Remember 6.jpg

I tried to illustrate I Remember Running Through the Woods by myself. But I was running out of time, and I asked Dad to help again. He graciously agreed, and really helped to bring the book to life artistically. Here are a few examples of his great work.

Sunnyshore Studio:  These aren’t your normal children’s book illustrations that are more, how should I say it, child level art. These are more serious watercolors.

Jason: Part of my vision was to use high quality, serious watercolors for the illustrations. I hope to inspire a few youngsters to perhaps take up the paintbrush themselves.

Cover - I RTW

Sunnyshore Studio: I Remember Fishing with Dad was published by Just Dust Publishers. Why did you choose to have Sunnyshore Studio by the publisher for I Remember Running Through The Woods?

Jason: A couple of reasons. First, Just Dust Publishers closed there doors. Second, by publishing through Sunnyshore Studio we cut out the middle man and keep our costs down. Sunnyshore Studio has published a number of books over the past three years, and has “cracked the code” so to speak of the editing, graphic design and layout of publishing. So we decided to keep it in house.

Sunnyshore Studio: Since your first sketches (2003) to today (2018), you’ve only published two books. What makes you think you can publish 10 more? And which book is next?

Jason: Well, like I said, we’ve “cracked the code” by publishing the books in-house. This allows us a little more freedom and flexibility. Hopefully we can get on a roll and publish a book a year. That’s the dream at least. And I like “big dreams”, they inspire me. I’m not afraid to fail.

I’m not sure what book will be next. I’m currently writing I Remember Haying at the Farm. This book will explore the importance of hard work, of family members/families working together as a team, and or working on their relationships with each other. The work of keeping up a farm, specifically of the annual summer bringing in the hay ritual, is the context to explore this theme. I have great memories of haying with my cousins.

Sunnyshore Studio: When is I Remember Running Through the Woods going to be released?

Jason: You should know that, since you’re the publisher of the book! The printer tells me that it will be ready to be picked up by mid/late January. If people are interested they can pre-order their copy here:

Store

24 Days Late the 2nd book in “I Remember” series sent to printer

Sunnyshore Studio’s Artistic Director, Jason Dorsey, and his dad, prominent Northwest watercolor artist, Jack Dorsey, have once again teamed up to tell a story of the adventures of a boy growing up on an Island. It is titled I Remember Running Through the Woods. 

“I hoped to send it to our printer in Salem, OR by October 1st. That would have allowed us to have the books in hand for the opening of our ‘Christmas in Miniature’ show on December 1st at the Studio,” Jason says.  “We’ll still showcase the illustrations at the Christmas in Miniature show and our guest will be able to check out a rough copy and purchase the book advance.  We worked hard, but just couldn’t make our deadline.

“In I Remember Running Through the Woods  I wanted to explore change through the lens of the woods that surrounded me, the ever changing woods of my childhood,” Jason says.

The story begins with a nod to the logging days on Camano Island.

“An old logging path led from my parents home to my uncle’s farm,” Jason remembers. There were old growth stumps along this path. During the daytime, it was an enchanting woodland but when my sister, brother, and I came home after dark it was terrifying.”

In preparation for the book, Jason spent time in the woods of his childhood. “The stumps are still there,” he says. “I took lots of pictures.”

“One stump in particular became the ‘model’ for the ‘scary stump’ in the story,” Jason pointed out. It is a stump across from his parents house, on the road that leads down to Sunnyshore Acres Beach.

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“The huckleberry tree on top of the stump reminds me of scary arms reaching out”, Jason says.

His dad, noted Northwest watercolor artist, partnered in the illustrations.

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“Dad worked his wonders again, just like he did with the illustrations of our first book I Remember Running Through the Woods. I had the ideas, and would begin the paintings. But he brought many, most of them to completion, Jason notes.

Jack even pulled out his old bayonet and sheet for one illustration.

bayonet vignette

While all ages will find the story enchanting, Jason thinks that boys especially will like it. “With the military gear, face-painting, and adventures in the woods, this book is tailor made for boys,” Jason says.

While Jason is expected to be positive about his new book, others agree about the value of the story.  Three recommendations grace the back cover of the book.

Jennifer Kelly

Jennifer Kelly, Jason’s high school English teacher, and for 10 years a columnist for the Stanwood-Camano news wrote this:

Jason Dorsey’s second story in the series about his childhood, I Remember Running through the Woods, is a literary and visionary charm of a book.  Parents and children alike will take delight in the monsters that moo and stumps with eyes, and think about life through the quiet, calm words and enchanting illustrations of a man who revels in the youthful adventures that made him the father he is today.  Let’s all go running through the woods again and again and again!

Steven Garber

Steven Garber, author of Visions of Vocation: Common Grace for the Common Good, and professor of marketplace theology at Regent College, Vancouver, B.C., said this:

I love the world that is beyond our doors, the meadows and forests, the fields and pastures—in Wendell Berry’s poetic metaphor, “timbered choirs” each one. Through our senses we come to know in ways that deepen us. In Jason Dorsey’s artful remembering of his boyhood on Camano Island, we too are alive amidst the trees and the seasons, the fires at night and the noises in the tent, our own hopes and fears still near. I Remember Running Through the Woods is a window into a long love, of a boy who once was and is now the man he must be, giving us the grace of looking over his shoulder and through his heart into the wonders of his world. 

Mary Nease

Mary Nease, a homeschooling mother of five she has spent the last 15 years reading thousands of books to her children, who spends much of her time combing libraries and bookstores for good children’s books, had this to say:

Through his delightful watercolor illustrations and accompanying descriptive prose, author and illustrator Jason Dorsey invites the reader into his precious childhood memories. Although Running Through the Woods takes place on Camano Island in the lush Pacific Northwest, the reader is quickly transported in his own mind to the sacred places of his own life’s story. Jason has crafted an endearing and humorous, as well as poignant and exquisite, piece of art, able to captivate and delight the youngest reader while striking a deep chord in the souls of all ages.

Cover - I Remember Running Through the Woods

The cover and contents have been sent into Your Town Press in Salem, OR. “We anticipate having the books a few days before Christmas, Jason says.

You will be able to order your copy of the book December 1st. 

Home: Places of the Heart

What places have been home to you? Why do our hearts get attached to a place? How can art capture the essence of “being home?” 

 

These and other important questions will be explored in Jed Dorsey’s upcoming art show Home: Places of the Heart at Sunnyshore Studio on Saturday, October 20th and 27th. Jed’s painting touch hearts because they evoke that longing for “home” that Jed says was all have. Sunnyshore Studio sat down with Jed to explore the connection of home and his artwork.

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Sunnyshore Studio: What places have been home to you? Tell us about them your homes?

Jed Dorsey: When I think of home, there are several places that come to mind. They are Camano Island, Vancouver, BC, Indianapolis, and Edmonton.

Within each of those places, there are more specific locations that stand out. My parents’ house, for instance, is where I grew up, and it has always been our home away from home wherever I have lived with Renae through the years. But Camano Island has other places that I regard as home. The beach across from Mom and Dad’s house is one of them. I spent so many summers there. The flatlands as you cross onto Camano Island is another. There’s no place like it for me. When I get there and see that, I feel like I am finally home.

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Soft Day, Camano Crossing - 36x24

Gateway

And the other cities have similar special places, whether it is a house or a neighborhood or a park. Significant places where I have spent time with people I love – that’s the common theme.

Rainy Night

Why do you think “home” evokes such powerful emotions in our hearts?

I believe we all long for a home. Whether that is a real home of our past where we remember good times or people we’ve loved, or whether it’s something we’ve never really had, I think we all have a deep longing for a place of belonging and safety and love.

And places matter to us because we have memories connected to places. We grow fond of a place often not just because of what it actually looks like but because of the memory connected to it. And most of our memories involve other people. There’s an old poem that says, “,,,it takes a heap o’living in a house to make it home.” That’s because it’s not the exact physical place that makes the home, it is something more than that: the relationships and memories of life together with people we love and who have loved us. And no matter whether we’ve had a lot of that in the past or not that much, we all long for it.

road

How can a painting capture the essence of home in a way that maybe a photograph or memory can’t?

Perhaps because a painting can bring our imaginations to life more than a photograph. If I took a photo of a particular house, you would know it wasn’t the house of your childhood because of the exactness of a photo. But if I painted the same house, you might see something that makes you think of the house of your childhood and because it is more suggestive in its nature, your heart might override your mind into believing it is your childhood home even if it knows I didn’t paint your exact house.

shadows

Which of your paintings best evoke that sense of home? Describe why they do this for you.

That really just depends on who is looking at the painting. For me, they all evoke a sense of home for different reasons. Some of the paintings will speak to different people more strongly than others. But that is for the viewers to decide for themselves.

Small Town Charm - 20x16

What are the hopes you have for your “home” art show coming up in October at Sunnyshore Studio?

I am looking forward to sharing good times with people I love in a place I love.

First Day Of Summer - 11x14

Home: Places of the Heart

  • Saturdays, October 20th and 27th
  • 10:00am – 5:00pm
  • Sunnsyhore Studio
  • 2803 SE Camano Drive, Camano Island, WA

Viewing and Purchase Options

  • If you can’t make these two Saturdays we are “open by appointment.” Call Jason Dorsey, 317.209.6768.
  • Jed’s “Home: Places of the Heart” art show will go live on Saturday, October 20th at 12:00 (Noon). Jed’s friends, fans and collectors can purchase his artwork through Sunnyshore Studio’s web site: www.sunnyshorestudio.com.

Show Sponsor

Sunnyshore Studio thanks Russ Bumgarner and his company Rubumco for sponsoring the show.  If you are in need of getting your home or business painted, Russ’s premier painting company that’s been operating since 1999 in the Stanwood-Camano region is the place to go!

Russel Baumgarner

Rubumco logo

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