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On-line sale (25% off) of original Illustrations of I Remember Running Through the Woods

Here’s your chance to purchase an original illustration from I Remember Running through the Woods painted by father-son duo, Jack and Jason Dorsey. From December 1st – December 8th these paintings are offered at a 25% sale with a signed copy of the book thrown in. Shipping and handling – if necessary – is not included in the price below. Also, with some of the paintings you have the choice between purchasing them framed or unframed.

What a better way to share the beauty of reading and art with your child, grandchild or someone you love.

If you are interested in one of these paintings please call or text Jason Dorsey: 317.209.6768

Loggers on Camano

Loggers felled the Old Growth

  • By Jason Dorsey
  • Watercolor
  • 15” by 22”
  • Unframed $300
  • Framed $400

 

Logs in harbor

Ships with tall masts

  • By Jason Dorsey
  • Watercolor
  • 15” by 22”
  • SOLD

 

Book 4

An Island in the Northwest

  • By Jason Dorsey
  • Watercolor
  • 15” by 22”
  • PRIVATE COLLECTION

 

IMG_1014 (2)

An Old Logging Road Led Through the Woods

  • Watercolor
  • 15” by 22”
  • Jason Dorsey
  • SOLD

 

Kids walking to farm in daytime

Sunlight danced through the trees

  • Watercolor
  • 15” by 22”
  • Jason Dorsey and Jack Dorsey
  • SOLD

 

Kids running home at night

Stumps became scary monsters

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • SOLD

 

coming home

Warm lights of home

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • Jason Dorsey and Jack Dorsey
  • SOLD

 

exploring swamp

In the Spring he explored the swamp

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $225 Unframed
  • $325 Framed

 

Huckleberry, blackberry patch picking

In the Summer they picked Huckleberries

  • By Jack and Jason Dorsey
  • Watercolor
  • 15” by 22”
  • Jason Dorsey and Jack Dorsey
  • SOLD

 

Splitting Winter Wood - Final

In the Fall they split wood

  • By Jason and Jack Dorsey
  • Watercolor
  • 16.5” by 30”
  • Jason Dorsey and Jack Dorsey
  • SOLD

 

Boy, Woods, Snow

In the Winter the woods still

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $300 unframed
  • $400 framed

 

5. Military Gear

Military Gear

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $225 Unframed

 

1. Dad's Bayonet

Dad’s Bayonet

  • By Jason and Jacqueline Dorsey
  • Pencil and Watercolor
  • 8.5” by 11”
  • $150 Unframed

 

2. Dad's Bayonet Sheath

Dad’s Bayonet Sheath

  • By Jason and Jack Dorsey
  • Watercolor
  • 8.5” by 11”
  • $225 Unframed

 

Tom and Jason heading into woods for camp out - final

It was getting dark when they headed out to the woods

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • SOLD

 

The Campsight - Final

They ate the chili and pineapple

  • Watercolor
  • 15” by 15”
  • Jason Dorsey and Jack Dorsey
  • $225 Unframed
  • $325 Framed

 

Treetop View of Tent - Final

They went to bed

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 15”
  • SOLD

 

8. Eyes stared at them

Eyes stared at them

  • By Jack Dorsey
  • Watercolor
  • 11.5” by 15”
  • Jack Dorsey
  • $225 Unframed
  • $400 Framed

 

9. It's your uncle's cows.jpg

It’s your Uncle’s Cows

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $225 Unframed
  • $325 Framed

 

 

Over the Fence - Final

They Jumped Over the Fence

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 17”
  • SOLD

 

3. One Match Left

One Match Left

  • By Jason and Jack Dorsey
  • Pencil and Watercolor
  • 7.5” by 11”
  • $75 Unframed

 

 

Fire - FINAL 

He struck the Match

  • Jason and Jack Dorsey
  • Watercolor
  • 15” by 16”
  • $300 Unframed
  • $400 Framed

 

Big Bonfire - Final

The fire blazed high and hot

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 15”
  • $300 Unframed
  • $400 Framed

 

Morning at Farm - Final

Morning has finally Come, Book Cover Image

  • By Jason and Jack Dorsey
  • Watercolor
  • 16.5” by 30.5”
  • SOLD

 

4. Off to College

Off to College

  • By Jack and Jason Dorsey
  • Watercolor
  • 15” by 22”
  • Jason Dorsey and Jack Dorsey
  • $225 Unframed
  • $325 Framed

 

 

Clear Cut Final

The Woods were logged

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $300 Unframed
  • $400 Framed

 

Jason Crying - Final 

He Cried because nothing stays the same forever

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $225 Unframed
  • $325 Framed

 

Version 2

Woodshed

  • By Jack Dorsey
  • Watercolor
  • 11.5” by 18”
  • Painted in 1970. Dad used this as a painting to show Mrs. Greathouse, the owner and director of the Frye Art Museum, Seattle, WA. She was impressed enough with that and a few other paintings to grant dad a one man art show at the Frye in 1972.
  • $700 Unframed
  • $850 Framed

 

6. The Woods were as magic as ever

The Woods were as Magic as Ever

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • SOLD

 

Stump - final - use this one

Stump and Sapling

  • By Jason and Jack Dorsey
  • Watercolor
  • 15” by 22”
  • $300 Unframed
  • $400 Framed

 

These original illustrations will be showcased at the “Christmas in Miniature” show at Sunnyshore Studio on Saturday, December 1st and 8th.

  • 10am-5pm
  • 2803 SE Camano Drive, Camano Island, WA

Pre-order “I Remember Running Through the Woods” children’s book

You can pre-order Jason Dorsey’s new children’s book I Remember Running Through the Woods here:

Store

Start your collection of all twelve of the I Remember series by adding to that order the first in the series, I Remember Fishing with Dad. 

IRFD Cover

All 29 of the original illustrations painted by Jason and Jack Dorsey will be on display at the Christmas in miniature show that opens at on Saturday, December 1st (10am-5pm) and for a second Saturday, December 8th (10am-5pm).

Christmas Poster 2018

Lineup of artists for “Christmas in Miniature” show

We have a wonderful lineup of artists for our Christmas in Miniature show that opens on Saturday, December 1st, 10am-5pm. You won’t want to miss our “meet the artist” reception from 3:00-5:00 on the 1st. You’ll recognize some “big name” artists in the northwest as well as some emerging artists.

Each artist was told that they must keep their paintings to no more than 12” by 16”, or 160 square inches. You’ll be delighted to view their original small and affordable paintings.

Here’s the lineup:

Lydia Crouch

Lydia

Lydia Crouch is most often referred to as “the one who paints the dresses,” as her heart toward the emotional recovery of human trafficking victims is a passion that comes through in her work.  She also loves painting simple moments from her world at home on Camano Island.  She is married to Rich Crouch and has two grown children.  She more than grateful to be adopted into Dorsey Studios where she paints live on Thursdays at the Gallery in Camano Commons.

Ann Cory 

Ann Cory

Ann Cory is the granddaughter of nationally famous illustrator/cartoonist/artist Fanny Y. Cory. She is the wife of Northwest artist, Jack Dorsey, and the mother of artists Jason Dorsey, April Nelson, and Jed Dorsey.  She has been a on again, off again artist throughout her adult life during her life seasons.  Now, after a bout with cancer in 2015, she is on again and enjoying it very much.

 

Marilyn Crandall

Marilyn

As a plein-air watercolorist, Marilyn Crandall‘s free and loose strokes uniquely capture landscape images and country scenes with an emphasis on strong patterns of light and dark.

This artist grew up in several western states as her engineer dad worked on the large hydroelectric dam projects from Arizona to Oregon, California to Washington, Utah to Montana.   She graduated with honors from Parsons, The New School for Design in New York City where she majored in Environmental Design.  Prior to that she attended the University of Washington, College of Architecture, where she was introduced to watercoloring as a way to render her designs.   Her profession has been as a registered architect; her passion is watercolor.

She feels privileged to have taken workshops with Eric Weigardt, Tony Van Hasselt, Kathy Collins, and Diane Hill, among others. All have been mentors. She is a member of the Washington Watercolor Society, the Roaming Artists, and CAA, Camano Arts Association.

She has painted abroad in Guatemala, China, Korea and Mexico as well as in the USA in Maine, Virginia, Georgia, Washington DC and now can paint the coastal scenes and rural landscapes of Washington State, particularly the amazing Salish Sea area.

Betty Dorotik

Betty Dorotik

“My love of birds greatly influences my works either on canvas, paper, or wood. Nature is my resource and is abundant outside my window or door, always pausing me to watch and observe and apply. “ bettydorotik.com

 

Jack Dorsey

Jack Dorsey - Color

Jack Dorsey is a lifelong resident of Washington State and is a graduate of Seattle Pacific College.  He has to his credit two one-man shows at the Frye Art Museum in Seattle and a one-man show in Tokyo, Japan.  Jack Dorsey’s art has been collected by the Frye Art Museum and the LaConner Historical Museum along with numerous corporations and private collectors throughout the U.S.A. and internationally.

Jack Dorsey  is a former president of the Northwest Watercolor Society and a past member of the Puget Sound Group of Painters.  Currently he is a life member of the Northwest Watercolor Society and an associate member of Oil Painters of North America.

Jack Dorsey’s emergence back into the art world came in 1997 after retirement from the Boeing Company after sixteen years as a production illustrator in Everett.  In the past few years collectors started to find Jack Dorsey’s fine art during the annual Mother’s Day Studio Tour on Camano Island where he makes his home.  Jack Dorsey is known for his watercolors which can be described as impressionistic realism.

It is interesting to note that all of Jack’s family are artists also.  His wife, Ann Cory paints in acrylics; the youngest son, Jed Dorsey paints in acrylics and oils; while April and Jason Dorsey have achieved painting success also.

As a long established Northwest artist, Jack Dorsey cordially invites inquiries and visits to his home if anyone is interested in collecting his fine art.

 

Jacqueline Dorsey

Jackie Dorsey

Jacqueline was born in Seattle, Washington in March of 2002. She grew up in Indiana and loved exploring the beauty of the Midwest and the Northwest as a child.

Jackie always enjoyed doing and watching family members do art. She decided she wanted to learn how to do watercolor and joined the Dorsey Art Show at The Harrison Gallery in Indianapolis. She sold her first painting, and soon after that, was asked to do her first commission. Jackie has been painting and learning ever since, showcasing a few paintings at the Mother’s day shows here on Camano each year.

She is currently taking a watercolor class as a Running Start Student at Bellevue College. Along with her family, she has been working on creating an extension of the Sunnyshore Studio by building a tiny house. The tiny house will serve as a place to create, showcase her art as well as others, will serve as her own place to spend time with the people she loves, and as a place to share the beauty of Camano with the world. Jackie is also partnering with her dad, Jason Dorsey, on a two year project, Discover Beautiful Camano Island, to aid in the creation of a book, documentary, and art show.

 

Jason Dorsey

DSC_4735 (2)

Jason Dorsey a pastor of Redeemer, a Presbyterian church in Redmond, WA. On the side, he is the Artistic Director of Sunnyshore Studio, serves as president of the Camano Arts Association, and chairs the Stanwood-Camano Arts Advocacy Commission. Jason grew up in a family of artists and enjoys teaming up with them now in the “family business”. As a watercolor artist, Jason enjoys integrating watercolor and writing in books.

Jed Dorsey

Jed Dorsey (1)

Award winning artist Jed Dorsey is known for his radiant acrylic landscapes. He uses bold colors and strong design to portray his vision of the world. His work has been featured on the HGTV show Good Bones, included in museum collections, and can be found in homes and businesses throughout the U.S. and Canada.  Jed grew up on Camano Island and is happy to be living in the area after many years away. You can find him painting and teaching at Dorsey Fine Art Studio located at Camano Commons on the island. www.jeddorseyart.com

John Ebner

best J. Ebner - Feb 2018 (6)

John Ebner began a unique, life long journey of discovery while growing up on his family’s farm in Sublimity, Oregon. His enthusiasm for life and never ending curiosity were energized through freedom on the farm and the adventures with three brothers, one sister and loving parents. Little did he realize that one day he would give artistic expression to all he was discovering and more.

In the seventh grade, John submitted a collection of his drawings of birds and flowers to his grade school teacher and was surprised his work received so much praise. He continued drawing and painting and eventually enrolled in art school. As an adult and needing to earn a living. John was engaged as a manufacturer’s representative, covering the Northwest and continued to explore painting in his spare time.

With his love of art and his creative spirit, John’s path of discovery took an interesting turn. What once was a hobby turned into a passionate dedication and his talent flourished. Continuing to support his family he began developing his artistic skills, produced an assortment of paintings and delivered them to a local gallery. To his surprise, the gallery contacted him a short time later saying all paintings have been sold and requested he create more. Further sales and requests brought John the realization he just might be able to support his family by painting full time and presented the idea to Paula. She wholeheartedly agreed and from that point forward he devoted his life entirely to his art.

The next step in John’s journey of discovery answered that question and served as a critical turn in the road. From the beginning of their marriage, John’s wife Paula, had served as his main source of encouragement and inspiration. Perhaps sensing that John was ready for a major change, she signed his up for a watercolor course, leading to his dramatic transformation.

Over the next few years John’s popularity grew, the demand for his paintings increased and he is now considered on of the Pacific Northwest’s most admired and collected artists.

Many of the captivating qualities of John’s work are apparent. His life-long love of the Pacific Northwest is revealed through the countless compelling vistas he has captured. His curiosity always drawing him to the next step, newest technique and desire to see beyond the obvious. Although reluctant to define his own work, preferring that it speak for itself, he admits that the magic of water has served as an element continually engaging his imagination. He frequently returns to explore the serenity and essence of waterfalls, rivers, seascapes, and beaches that invite him to look beyond the mist. His unique and recognizable motif of rain People huddled under umbrellas, strolling on an ocean beach or lingering on a city street add a timeless and etherial dimension to his work.

John’s artistic journey continues as he experiments and explores new forms, subjects and techniques. He is forever grateful for the many emotional rewards his art provides him as well as the gratification and joy voiced by others who see or own his work. Ever humble, ever curious, John is still looking to discover what lies on the other side of the mountain or beyond the mist.

John is a past president of the Northwest Watercolor Society and a life member of the Puget sound group of Northwest Artists.

Laurie Laun

Laurie 2

Born in Michigan in 1946, Laurie has practiced art throughout her life, including early study at the Chicago Art Institute.  While raising her family and earning several college degrees including an MBA, she served for many years as an executive in high tech companies.  In her travels to over 30 countries Laurie has become informed by many artistic cultures: she mastered batik in Java, aboriginal dot painting in Australia,

mulberry paper-making in Fiji, wood engraving and block printing in Singapore and haiku poetry in Japan.  She lives on beautiful Camano Island.

Amy Martin

Amy Martin

Amy Martin is a graduate of Edinboro University of Pennsylvania with a BA in Creative Writing and a minor in Painting.  Her eclectic oil and acrylic paintings are inspired by the beauty all around her­­–the color of coffee in a cup, a blooming poppy, the angular white of a ski slope, or an airplane swooping to land on a river.  Amy’s former professions include Army Blackhawk helicopter pilot and Boeing Change Specialist which fuel her passion for aviation and birds-eye-view paintings. Currently, she lives and works from her home studio on Camano Island in Washington where she shows annually in the juried Camano Arts Association Studio Tour. She is enrolled in Goddard College’s MFA Creative Writing Program and is working on a book length flight memoir.  She can be found on FB @juniperbeachstudio and Instagram at Amy_martin_artist.

April Nelson

April Nelson

April enjoys sharing the natural beauty of the world through art. Whether she is capturing the rich colors of dusk on a slough in the Skagit Valley or the thundering rise of a flock of snow geese, creating art is about seeing and thinking together. She appreciates the beautiful world that God created and she hopes that her art will communicate this to the viewer.

 

John Ringen

John Ringen

John was President of NWWS in 1964–1965, and has fifty years of impressive credentials; teaching numerous classes and workshops at college and adult levels, commercial illustrating, and judging a variety of festivals, exhibitions and open shows primarily throughout the Northwest. He has an enviable list of exhibition awards.

John and his wife of 43 years, Vicky, spend half their time each year in their motor home traveling to Yellowstone, the Tetons, and up and down the coast, visiting some of the finer wineries (he has quite a fine collection of wine). When home, he paints every day; at least 4 hours or more in his fantastic studio/gallery which is separate from his house. That way he “doesn’t have to clean up all the time.”

John attended the University of Washington on an athletic scholarship though he “wasn’t much for athletics.” After marrying Vicky, he joined Boeing when children came into their world. His strong inspiration to pursue art was fueled by two things: the only thing he ever got an A on in school was art, and his uncle, a commercial artist, always supplied him with whatever art materials he needed.

John works on up to fourteen paintings at once. He loves to paint anything that has to do with Northwest scenery and landscapes. His loose, impressionistic painting style has earned him frequent accolades and awards.

Regarding himself as an artist who records his visual impressions and feelings, he is a “reaction painter.” John enthusiastically proclaims that there is nothing quite as exciting, challenging and rewarding as attacking a crisp white sheet of watercolor paper.

Melanie Serroels

Melanie Serroels

Melanie started in watercolor during the last year of High School. She took workshops with collected Pacific Northwest Artist Charles Mulvey during college, and then when time permitted then took workshops with Robert Landry. Jack Dorsey & Thomas William Jones, Dianna Shyne and also Jed Dorsey. Melanie paints with both watercolors and acrylics.  She is a member of the NW Watercolor Society.  Since the first arriving on Camano Island in 2004 she has been a member of two local art groups, Camano Arts Association and the Stanwood Camano Art Guild. Currently, she volunteers several hours per week for the Camano Arts Association doing administrative work for CAA’s 80+ Members. Her camera is full of paintings ideas.  Her painting representative style reflects the calm water and scenery of the Pacific Northwest.  The views from her waterfront home and the constantly changing atmosphere outside keep her in painting mode until something distracts her.  Melanie is often caught between volunteering and finding time to pursue her painting

Being avid volunteers both Melanie and Randy like being involved in their community. Here are some of her volunteer and art related activities and accomplishments: Stanwood Camano Art Guild/SCAF Road Banner Project and Auctions; Stanwood Camano Arts Spring Show – First Place Award; Snow Goose Poster Winner in 2006; Snow Goose Festival Committee Volunteer – Snow Goose Festival Family Activities Program and Bird Art Show at Four Springs House and Lake Preserve; Stanwood Chamber of Commerce Office – Volunteer and Art walk; Gallery and Gallery Shows – Seagrass on Camano; Stanwood Camano Art Guild – Art In Public Places; Five Camano Arts Association Studio Tours; Camano Community Center Gala Auction Volunteer.

Travel, visiting friends and family, and spending time with her 3 young Grandchildren fill in her calendar. Trips to Las Vegas, Victoria BC, Disneyland, International Kite Festival and a 2,250 mile road trip down the West Coast inspired her minds eye this year. Trips to Alaska and Disneyland with her youngest granddaughter are already booked for 2019.

The Christmas in Miniature show opens on Saturday, December 1st. It runs through Saturday, December 8th. Sunnyshore Studio will be open both Saturdays 10:00am-5:00pm.

Christmas Poster 2018

 

 

24 Days Late the 2nd book in “I Remember” series sent to printer

Sunnyshore Studio’s Artistic Director, Jason Dorsey, and his dad, prominent Northwest watercolor artist, Jack Dorsey, have once again teamed up to tell a story of the adventures of a boy growing up on an Island. It is titled I Remember Running Through the Woods. 

“I hoped to send it to our printer in Salem, OR by October 1st. That would have allowed us to have the books in hand for the opening of our ‘Christmas in Miniature’ show on December 1st at the Studio,” Jason says.  “We’ll still showcase the illustrations at the Christmas in Miniature show and our guest will be able to check out a rough copy and purchase the book advance.  We worked hard, but just couldn’t make our deadline.

“In I Remember Running Through the Woods  I wanted to explore change through the lens of the woods that surrounded me, the ever changing woods of my childhood,” Jason says.

The story begins with a nod to the logging days on Camano Island.

“An old logging path led from my parents home to my uncle’s farm,” Jason remembers. There were old growth stumps along this path. During the daytime, it was an enchanting woodland but when my sister, brother, and I came home after dark it was terrifying.”

In preparation for the book, Jason spent time in the woods of his childhood. “The stumps are still there,” he says. “I took lots of pictures.”

“One stump in particular became the ‘model’ for the ‘scary stump’ in the story,” Jason pointed out. It is a stump across from his parents house, on the road that leads down to Sunnyshore Acres Beach.

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“The huckleberry tree on top of the stump reminds me of scary arms reaching out”, Jason says.

His dad, noted Northwest watercolor artist, partnered in the illustrations.

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“Dad worked his wonders again, just like he did with the illustrations of our first book I Remember Running Through the Woods. I had the ideas, and would begin the paintings. But he brought many, most of them to completion, Jason notes.

Jack even pulled out his old bayonet and sheet for one illustration.

bayonet vignette

While all ages will find the story enchanting, Jason thinks that boys especially will like it. “With the military gear, face-painting, and adventures in the woods, this book is tailor made for boys,” Jason says.

While Jason is expected to be positive about his new book, others agree about the value of the story.  Three recommendations grace the back cover of the book.

Jennifer Kelly

Jennifer Kelly, Jason’s high school English teacher, and for 10 years a columnist for the Stanwood-Camano news wrote this:

Jason Dorsey’s second story in the series about his childhood, I Remember Running through the Woods, is a literary and visionary charm of a book.  Parents and children alike will take delight in the monsters that moo and stumps with eyes, and think about life through the quiet, calm words and enchanting illustrations of a man who revels in the youthful adventures that made him the father he is today.  Let’s all go running through the woods again and again and again!

Steven Garber

Steven Garber, author of Visions of Vocation: Common Grace for the Common Good, and professor of marketplace theology at Regent College, Vancouver, B.C., said this:

I love the world that is beyond our doors, the meadows and forests, the fields and pastures—in Wendell Berry’s poetic metaphor, “timbered choirs” each one. Through our senses we come to know in ways that deepen us. In Jason Dorsey’s artful remembering of his boyhood on Camano Island, we too are alive amidst the trees and the seasons, the fires at night and the noises in the tent, our own hopes and fears still near. I Remember Running Through the Woods is a window into a long love, of a boy who once was and is now the man he must be, giving us the grace of looking over his shoulder and through his heart into the wonders of his world. 

Mary Nease

Mary Nease, a homeschooling mother of five she has spent the last 15 years reading thousands of books to her children, who spends much of her time combing libraries and bookstores for good children’s books, had this to say:

Through his delightful watercolor illustrations and accompanying descriptive prose, author and illustrator Jason Dorsey invites the reader into his precious childhood memories. Although Running Through the Woods takes place on Camano Island in the lush Pacific Northwest, the reader is quickly transported in his own mind to the sacred places of his own life’s story. Jason has crafted an endearing and humorous, as well as poignant and exquisite, piece of art, able to captivate and delight the youngest reader while striking a deep chord in the souls of all ages.

Cover - I Remember Running Through the Woods

The cover and contents have been sent into Your Town Press in Salem, OR. “We anticipate having the books a few days before Christmas, Jason says.

You will be able to order your copy of the book December 1st. 

Jason Dorsey is working on second Children’s Picture Book in the “I Remember” series

Jason Dorsey is working on the second book in the I Remember series. This series tells stories of a boy growing up on an island (Camano), to explore sacred memories in the formation of children. Fyodor Dostoyevsky says this about sacred memories in his novel The Brothers Karamazov:

“… there’s nothing higher, stronger, more wholesome and more useful in life than some good memory, especially when it goes back to the days of your childhood, to the days of your life at home. You are told a lot about your education, but some beautiful, sacred memory, preserved since, is perhaps the best education of all.”

Jason Dorsey published I Remember Fishing with Dad in December 2015. It was well received and sold briskly.

IRFD Cover

Jason is close to completing the second book in this projected 12 book series. I Remember Running Through the Woods shows that the places we remember are part of who we are today. Jason reflects, “The woods which surrounded me in childhood are a part of me.” In this book, like the first, Jason is working with his father to do the illustrations.

“It’s been fun to go back to the woods of my childhood,” says Jason. “I’ve been trouncing through them to get photographs including photographs of a “scary stump” just like the ones I remember when I was young.

Jason and his Dad, renown Northwest artist Jack Dorsey, are collaborating on the illustrations just as they did in the first book.

“Our painting styles are similar,” Jason says. “I typically get the painting started and then bring it to Dad to finish. I’m able to get a good, fresh watercolor started; and Dad, with his eye for strong values and details is able to finish it.”

“I’m super thankful I have this opportunity to share in the painting of these illustrations with my Dad,” Jason says. “He’s super supportive. I don’t know if I could do this without him.”

I Remember Running Through The Woods is based on my own experiences in the woods that surrounded our little white home on Camano,” Jason says, “including a camping adveture with my friend Tom H. We skipped our High School Tolo to spend the night in the woods. Tom had all of this great Marine Corp gear and I guess we were more into that than girls. It turned out to be a super cold night and we had lots of adventures that night that I share in the book.”

Jason Dorsey and Tom Hamilton 1984

Jason also has enjoyed tying the story all the way back to the early days on Camano Island when loggers felled massive Fir and Cedar trees. I’m enjoying sharing this beautiful place (Camano) through these stories,” Jason reflects.

IMG_3353.jpg

He projects that I Remember Running Through The Woods will be (barely) back from the printers just in time to make it under the tree for Christmas 2018.

If you’d like to view the original illustrations they will be displayed at Sunnyshore Studio’s Christmas in Miniature art show that runs Saturdays, December 1st and 8th, 10:00am – 5:00pm.

1st Annual Plein Air Event a Success

The first annual Plein Air, that is “painting out of doors”, Art Competition took place August 17th and 18th. It was led by Jed Dorsey under the auspices of the Stanwood-Camano Art Advocacy Commission and in partnership with Art by the Bay: so, in short, a great collaboration.

Some Background to the Plein Air event

The Camano Arts Association (CAA) launched the Stanwood-Camano Arts Commission to bring together the many art and cultural organizations in the Stanwood-Camano region who share a vision to make Stanwood-Camano one of the top centers and destinations for the Fine Arts in the Northwest.

These organizations believe that Stanwood-Camano is at a “tipping point” where art might become a key identity and economic engine of our region. We believe that a strong, strategic and intentional promotion of the arts with organizational and institution muscle behind it can make the Stanwood-Camano area a recognized destination for art and play an vital role in the flourishing of our region.

As leaders from these organizations discussed the many art events already taking place in our region, we felt that the creation of an annual Plein Air art competition would supplement what is already happening and have potential to become a popular event, much like the Studio tour is.

As we were having these discussions, we learned that Jed Dorsey was moving to the area. Jed has long had a heart for starting a Plein Air event. He’s participated in many in the past and sees their value for a community. We began to talk with Jed about taking the lead. He agreed.

Jed had conversations with the Stanwood-Camano Art Guild about the possibility of doing the Plein Air Competition in conjunction with their popular “Art By the Bay” show in August. They agreed that it would work well with their event. Val Paul Taylor assisted Jed in creating the event’s promotional look.

Art By Bay Plein Air Sign

That is the background to the event.

The Event Itself

Nine people signed up for the Plein Air Competition. As I drove onto Camano on Friday morning I saw my dad painting the Danielson farm from the side of the road.

I stopped to photograph him. I caught him being a little grouchy about all the cars driving by :). I have to admit it was non-stop cars!

Then I drove to the Camano Marketplace to get my watercolor paper stamped by Jed. The purpose of the stamp is to ensure that artists don’t cheat by painting in advance of the competition.

I set up my easel at the Camano Lutheran Church just south of where dad was.

Painting Lutheran Church

I had never painted, let alone entered, that church though I knew that one of my classmate’s dad, Pam Stordahl, had pastored there for many years.

It is a really picturesque church and I enjoyed painting it. I was happy with the progress of the painting as I went along.

As I painted, the church’s secretary (I forget her name) came out to chat and take pictures of me for the church’s newsletter. I told her that I was a local boy, that I was working on a 2 year project called “Discover Beautiful Camano” and would like to tell the story of Camano Lutheran in that book, and that I had never been inside the church.

She graciously took me on a tour.

Right inside the front door to the historic church there is a wonderful display of old photographs and I was delighted to see many of my Stanwood High School Classmates: Cheryl and Teri Cooper, Michael Hansen, Shannon Tonheim, Cindy Olsen, Heidi Berg, Jim Lindell, Sabena and Victor Mueller, Joy Holstom, Deana Major, Pam Stordahl, Michelle Lien and Kim Lien among others.

The sanctuary was historic and beautiful.

I finished up around lunch time. Then I grabbed lunch and went to the Kristopherson farm. They were gracious to let me paint their beautiful barn. I was able to hammer out a decent painting.

There were, of course, other artists painting around Camano and Stanwood.

One artist

Some of us met up for dinner at a new restaurant at the Marketplace.

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I wasn’t able to participate in the event on Saturday. Lots of fine paintings were done and community among the artists built.

My favorite painting of the lot was dad’s painting of Danielson farm.

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Dad didn’t end up winning, but my painting of the Lutheran Church came in second place and I won $100 for my efforts…and my friend and colleague on the Stanwood-Camano Arts Advocacy Board, Robin Hanks, who is the Co-Director of the Stanwood Historical Society purchased it. So a good day for me for sure.

Best of all was spending a day with my dad and my brother painting.

Dad Jed and I

 

Sunnyshore Studio breaks records on 20th Annual Camano Island Studio Tour

Sunnyshore Studio broke two of our records for the Camano Island Studio tour:  over 1,500 guests visited and we sold over $20,000 of artwork! We are excited about breaking these records for our Studio, but even more encouraged by a number of other things.

We are thankful that the Studio ran so well without its Administrator and Artistic Director

Our Administrator, Jenny Dorsey and Artistic Director, Jason Dorsey, weren’t present for Mother’s Day Weekend (Jason was at the Studio on Friday, but not Saturday and Sunday).

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They were in West Lafayette, IN, celebrating the graduation of their son Jacob from Purdue University’s engineering program!

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In their absence Jackie Dorsey rose to the occasion. With the help of Jed and Renae, who recently moved from Indianapolis, the Studio ran like a well oiled machine.

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We are so thankful for all the artists who helped over that first weekend: Jack and Ann Dorsey, April Nelson, Jed and Renae Dorsey, Melanie Serroels, Amanda Pearson, and Judy Sullivan.

And we tip our hat to Jenny Dorsey who has set up such a great organization that it runs without her presence.

It was awesome to have Jed and Renae at the Studio over both weekends

We are super happy to have Jed and Renae Dorsey on Camano. Jed is a terrific artist and he loves a big party. So he was in his element over both weekends.

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Jed built a portable deck, and set up his tent on it. It sat at the entrance to the studio and it worked great.

Jed had to keep painting because his paintings sold so quickly!

We are happy that our artists all sold well

Sunnyshore Studio was built to support the Dorsey family of artists by showcasing their art. We’re very happy to report that the artworks of family members sold well.

Besides Jed, Jack, Ann, Jason and April sold paintings.

Our family of artists Matriarch, Fanny Y. Cory, had great sales as usual too.

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Jackie Dorsey even got into the act selling both of her paintings!

We were happy to have three guests artists with us – Amanda Pearson, Melanie Serroels, and Judy Sullivan – and grateful that we had good sales of their artwork!

Last but not least, we are thankful for a growing community of friends, collectors and patrons

Most of all we are thankful for the growing community of friends, collectors and patrons of the Dorsey family of artists. We have people who have supported us since Jack Dorsey launched his professional art career in 1969. We love seeing old friends and making new ones.

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One final Thanks to everyone who stopped by our little Studio tucked among the first and cedars on the south end of beautiful Camano Island.

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Art Lives on Camano!

 

 

 

 

 

Mark Your Calendars for the 20th Anniversary Camano Island Mother’s Day Studio Tour this May

Sunnyshore Studio is excited to participate in the 20th Anniversary Camano Island Studio Tour and welcome the thousands of people who will make the pilgrimage down to the south end of Camano to view the many studios and galleries here.

The Studio Tour opens on Mother’s Day weekend, Friday, May 11th and runs Saturday, May 12th and Sunday, May 13th (10am-5pm) with an Encore Weekend, Saturday, May 19th and Sunday, May 20th (10am-5pm). 

Sunnyshore Studio will represent five generations of artists of the Dorsey family:

Fanny Y. Cory

Matriarch of our family of artists

Jack Dorsey

Father of Jason, April (Nelson), and Jed

Ann Cory

Granddaughter of Fanny Y. Cory and wife of Jack Dorsey

Jason Dorsey

Son of Jack Dorsey and Ann Cory

April Dorsey

Daughter of Jack Dorsey and Ann Cory

 

Jed Dorsey

Son of Jack Dorsey and Ann Cory

Julian Dorsey

Son of Jason Dorsey

Jackie Dorsey

Daughter of Jason Dorsey

 

We are especially thrilled to welcome Jed Dorsey back to Washington State! He will have just arrived the week of the Mother’s Day show and we can’t wait to share his epic artwork with old and new collectors.

We will also be featuring three guests artist which we’ll be introducing you to over the next month.

Mark your calendars for the Studio tour. And make sure to stop by Studio #5 as you enjoy Camano’s colony of artists and natural beauty. You won’t want to miss this event!

 

 

Sunnyshore Studio releases videos to celebrate and preserve the stories of five Vintage Watercolorists of Washington

On March 10th, Sunnyshore Studio released five short videos that share the artistic path of the artists chosen for the inaugural “Vintage Watercolorists of Washington” show: John Ringen, Nancy Axell, Genny Rees, Thomas William Jones, and Jack Dorsey.

A special shout out to Julian Dorsey who worked hard on shooting these videos, and to Kyle Liedtke whose music weaves them together.

Enjoy learning more of their stories in those videos below. We are honored to share and preserve their stories in this way.

John Ringen: Teacher of Artists

Nancy Axell: Artist Organizer

Genny Rees: Artist and Mother

 

Jack Dorsey: Artist of the People

Thomas William Jones: Artist of Place

Video is currently being edited & reformatted.

 

Thomas William Jones: Vintage Watercolorist of Washington

Thomas William Jones is an artist of place: a Master artist who paints his impressions of the places where he has lived and what he has loved. The rural environment of his native OH first inspired his artistic gifts. And since 1967, the Pacific Northwest with its low light, long shadows, and rich hues has drawn them forth, like a conductor draws forth the musical gifts and passions of his orchestra.

Tom was born on August 13th, 1942 in Lakewood, Ohio.  He was a kid when they first moved into their Bay Village home, located along the shoreline of Lake Erie. It was during those initial Bay Village days that he remembers discovering earlier paintings that his father had done. Finding those watercolor paintings was a real beginning for him. “I remember watching my dad set up his paints on an old card table, usually about every other weekend.” Although Tom’s father wasn’t an artist by profession, he painted all his life. When recalling his father working with his brushes, paper and Windsor Newton paints, Tom says, “I think I was born with the Windsor Newton gene! I developed a sense of watercolor watching my dad paint.”

Tom grew up painting at a table alongside his dad and listening to stories of life during earlier Bay Village days. And while he and his father painted, Tom was also observing. Those images and stories came together, transferred into Tom’s heart and soul. He learned how to develop paintings and how paintings can tell the story of a place. Watercolor became natural for Tom, and he developed the ability to transfer his impressions to a painting. From that point on, Tom has  always loved watercolors. He “thinks in watercolor” and visualizes completed paintings in that medium.

As a kid, Tom remembers exploring the fields and woods with his dad and younger brother who also had a strong ability of painting in watercolors. Discovering other areas of Northern Ohio with its unique history, weather moods, and wildlife impacted his love of the landscape. All were deeply impressed upon his heart, giving him a sense of place. “Those beginnings were sort of my essence, my DNA, as far as watercolor goes,” he says.

Tom was also very fortunate to have Russ Larsen as his art teacher throughout junior and high school. Around 1956 or ’57, unbeknownst to Tom, Russ submitted one of his paintings for the National Scholastic Art Awards. Although Tom didn’t realize it at that time, the gold key award he won was a turning point. This kept him going and encouraged his latent artistic gifts. Russ continued following Tom’s career and became a life-long friend.

Amber's Horse

Amber’s Horse,  Artists of America Exhibition,

 

Education and beginning career

After Tom graduated from Bay Village High School in 1960, he attended the Cleveland Institute of Art. Tom recalls, “Art school was the best thing for me and I was fortunate to go to the Cleveland Institute of Art. I had some great instructors, some who had been there up to forty years.” 

Tom recalls at the time of not having a lot of patience for detailed studies, but instead wanted to ‘get to the brush’.  Being able to visualize what he saw as a completed painting, he knew he could get things down faster with a brush.

During the summers of art school, Tom worked as a ‘line boy’ at Cleveland Hopkins Airport. He obtained his private, commercial, and instrument ratings by doing aircraft paintings and landscapes for corporate pilots. Like with painting, he was inspired in aviation by his dad. (Tom continued his interest in flying and today flies his restored 1950 Cessna 140.)

After graduation in 1964, Tom decided he didn’t want to go on for a fifth year to get a teaching degree. He just wanted to get going! Knowing he was a good artist, but not having a lot of direction at that point, he then joined the National Guard. After the six months of active duty, he worked for an aviation corporation near Cleveland doing artwork. After a couple years, he got his first big break, a commission that would bring him West in 1967!

General Telephone Company of the NW was adding a new addition to their headquarters in Everett. The company president wanted the public to experience the rural areas they served through an artist’s paintings.

At that time, General Telephone Company represented the outlying areas of the Northwest: From rural Washington to western Montanaand down the coast into northern California. So there was a wealth of places for Tom to explore. He was able to travel to those places and meet the heads of the different regions. They took him around and showed him what was of interest in those spots. Then he was free to roam around and discover what excited him about those places. Tom says, “I was fortunate being able to have free reign. It was pretty special. It was a real challenge too. I agreed to do twenty five paintings and thought I could do two a month. Then thought, “Wow! I sure hope I can do two a month!”

The Northwest was new territory for Tom. He had never been west of the Mississippi. This challenging year also turned out to be a wonderful one. And he DID finish up on time!

In the middle of that year his technique changed from a more opaque approach to a looser transparent one. A lot of that change was due to the Northwest light. The sun was lower in the horizon due to the latitude, especially during the Fall months when he first arrived. Tom recalls, “I was totally immersed in the new angle of light compared to the Midwest and was simplifying my compositions because of it. The light was enhancing only portions of landscape, one side of a subject, part of a face. With these deeper contrasts and organic hues of the Northwest, I was ‘freeing up’ in terms of light and dark.”

The commission brought Tom to the Northwest and he’s lived here ever since. But roots go deep. Tom still loves that part of the country where he grew up. It is a part of him, as the Northwest has become a part of him too.

Another big change for Tom happened when he met a special person named Carrie in 1968 and they tied the knot in 1973. Tom says of Carrie, “Although not an artist, she’s developed an ‘eye’ for art and is a tremendous sounding board for understanding the ups and downs of painting. In Carrie I have the biggest fan when encouragement is needed. With her, I have another right arm!”

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Painting the White House

Tom had a second big break. Here is how it came about. He was part of the invitational Artists of America exhibition in Denver for twenty years; from 1980-2000.  During one of those exhibits, he met a gentleman who at the time was on the President’s Committee on Arts and Humanities. He thought Tom’s art would make a wonderful Presidential White House Christmas card, so made a presentation to Mrs. Reagan’s social staff. Mrs. Reagan liked Tom’s work and chose him to paint the Blue Room for their 1985 card.

Tom spent several days in the Blue Room creating preliminary drawings, but did the actual painting in his studio. Mrs. Reagan loved his art so much that she asked him to create the cards for the next three years (1986-1988). Those subjects were East Room, State Dining Room and North Entry Hall and he was free to choose any composition he wanted. As before, studies were done at the White House, but the paintings were created back in Tom’s studio. The artists are not compensated, but they keep their original art. He kept one and the others are in private collections. Tom was honored to have some of his studies included in the White House Historical Collection.

A Moment Alone

A Moment Alone,  1st place, Rocky Mountain National

 

Influences

In addition to his dad & Russ Larsen, there are others who have influenced him as an artist.

Tom recalls as a child having latched onto watercolor artists featured in hunting and fishing magazines. Most notably, the New England artist, Ogden Pleissner. Years later, Tom and Ogden were both included in one of Artists of America exhibitions and their paintings were hung in the same room. “It was a special time to express to him how much I had admired his work and the inspiration I received from it,” Tom remarks. 

“I also recall in the early 1960s flipping through an issue of  American Artist and on the watercolor page was Donald Teague’s Gold Medal winner from AWS, The Façade, and it was absolutely beautiful! Many years later I had an opportunity to tell him so at an exhibition we were both in.”

Tom continues: “The Northwest has been fertile ground for developing friendships with great people, many of whom happened to be artists. Among those are Mike Burns, William F. Reese, Perry Acker and the Dorseys. Carrie and I have been blessed to have lasting friendships with many collectors whose support and encouragement are like adrenaline to an artist. All have influenced our lives in so many ways.”

On Watercolor

For Tom, the beauty of watercolor is having an impression of what you want to create on that white sheet of paper and then to see that magic happen…to see it come alive! It is having everything unified where one cannot tell where it started or ended. Tom sums it up, “To have that happen on watercolor paper is one of the joys of painting for me.”

When it comes to watercolor, it is the light coming through his pigment that delights Tom the most. “Actually I like the paper light more than the pigment itself”, he says. “That feeling is very elusive in describing. But for me, it’s that beautiful light that comes through the paint that gives it that vibrancy.

Sioux Moccasins

Sioux Moccasins,  AWS Bronze medal

 

Lessons

When asked about lessons for the next generation of artists, Tom jokes, “Don’t do it! Don’t ever do it!”

Tom points out that artistic life is a journey. “The lessons and experiences are going to be different for everybody due to the nature of art itself. There are no set paths, but there are certain ‘givens’ that I try to follow. Find an artistic route that’s comfortable for you. Keep walking and building confidence in your abilities. Maintain high standards while believing in your talents. Show your art wherever and whenever you can. And if there are rejections, know that we all have had them. Accept those as positives and keep going with encouraging people surrounding you.”

Tom believes that at a certain point in time there is a need for a little bit of selfishness, so you have to paint for yourself first.

Legacy

Tom hopes that others have connected with what he has created over the years and in doing so, they will remember images or conversations about his art. He would like to think that others will ‘live’ in his art, as he has done. And it seems they have. Over the years, Tom has received recognition for his artistic gifts, winning many awards. His paintings are sought after by collectors nationwide.

Tom’s gift is to have deep impressions of places he has lived and loved and to be able to put those on the white of watercolor paper to bring you to those places with him.

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We want to thank the Northwest Watercolor society for their partnership in our inaugural Vintage Watercolorist of Washington show.

We also want to thank David and Mary Anne Keyser and the Jack Dorsey family for sponsoring this years show!

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