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Meet Vintage Watercolorist Sandy Langford: Artist in Community

BEGINNINGS

Sandy Langford grew up on Queen Anne Hill, Seattle. Her early inspiration for painting was her sister who was six years older than Sandy.  Sandy would watch over her shoulder as she drew horses. I would say, “wow, that looks like fun.” Sandy believes that she fell in love with art not because she herself was especially gifted in art, but because of her sister’s artistic gift. 

Her parents encouraged her in art in an indirect way too, through their support of her siblings proclivities. Wanting to encourage Sandy’s older sister in her artistic development, the family toured the Seattle Art Museum many a Sunday. Wanting to encourage Sandy’s older brother in his engineering bent, every summer when they drove to California they stopped at all the bridges along the way, taking pictures of them. Sandy laughs and says, “by the time I came along, they were done.” Still these early immersions in art and man-made objects against the backdrop of nature, undoubtedly registered in Sandy’s heart and mind.

As Sandy found her own way, she took as much art as I could take at school. At Queen Anne High School, her art teacher, Ms. Sears, was very strong on rules. She taught her students how to stretch the paper on a board, wet it, then wait a day for it to dry. Sandy remember, “then you had one shot at getting the sky right. Otherwise you started over again.” In later years, when Sandy found Arches watercolor paper it opened up new possibilities. Unlike the thin watercolor paper they used in art class, it was so hardy. If you didn’t like one area, you could scrub it out with a toothbrush. If you wanted to change a painting you could soak it in the bathtub. “It’s so tough and versatile,” Sandy comments. Under Ms. Sears tutelage, the restrictions of watercolor were emphasized, not it’s freedom. Sandy would discover that later. 

After high school, Sandy attended Seattle Pacific College for two years. They didn’t have much art school at the time. So she transferred to the University of Washington where she graduated with a degree in art. She enjoyed the variety of art classes she took there, even though she didn’t click with the political bent of one of her teachers. She took some watercolor classes there; she loved the wood class, and working with throwing clay pots on the wheel, and taking sculpture from George Tsutakawa. For Sandy it was a real neat all-around experience. 

Even though she majored in art, Sandy did not aspire to make a living through art. For Sandy, art was more something that she wanted to have as a part of her whole life through.  Perhaps in the back of her mind she may have figured that she would get married, and wouldn’t have to make a living through art. She did meet a young man, an engineer named Fred. They got married and made their home in Redmond, WA. There Sandy settled in as a housewife, and soon mom of their two daughters which has now grown to two awesome son-in-laws and three grandsons. 

PATH INTO ART

Sandy’s path into watercolor is through community. As a mom, she was busy raising her kids. While she dabbled in stained glass and pottery, but they were only hobbies; her energies were given to her family. As her children left home, she could have become lonely and aimless. But she didn’t for this is when her passion for art was rekindled. 

Sandy was forty-seven, when she signed up for a class from Jeanne Marie Price in Bellevue. Jeanne was good at teaching adults because they’re restricted and scared, in contrast to kids who are so free and will fill the whole page with color. Sandy had a positive experience with her. Not only did she teach her students how to paint watercolor a freer way, but in a very short time she helped them display and sell their art in Bellevue at the senior center. At the first sale, Sandy sold three out of five paintings. She said to herself, “I want to do this the rest of my life.” Sandy isn’t sure if the turning point for her was that someone else liked her work, or that she just loved doing it. She does know that from that point on, she painted every moment she could. It was her passion. “I would get up in the morning and before I ate breakfast, or got dressed, I was painting,” she reflects. “I want that passion again. But life gets in the way.”

One friend that Sandy made in that first class was Sonja Ravet. Sandy and Sonja were really good at mentoring each other. At the time, they were both painting flowers. But they did them very differently. Sonja went on to teach art classes herself. Sandy did teach one class, but it was a long way north, and she didn’t get home till 11pm at night, exhausted. She realized that teaching isn’t her thing; she’s better with one on one friendships or smaller communities.  Sandy’s passion for art was rekindled in community, and it was nourished by the rich artistic community in the Puget Sound region. 

COMMUNITY OF ARTISTS

Sandy’s story is woven into the threads of the incredibly rich watercolor community in Washington. She’s taken classes from artists outside the Puget Sound region, like Gerald Brommer, who is from Carmel, CA. Sandy liked his work and when she met him she was thrilled that his personality matched his art. But for the most part, her instructors and artistic friends read like a veritable Who’s Who of Washington watercolorists. 

Sandy likes to take classes from people whose artwork she loves. She’s taken a couple of classes in Coupeville. One of those was taught by Glen Oberg. Sandy remembers the class had a great time painting outside every day and that it was packed with really good artists: John Ringen, himself a watercolor legend and a lifelong friend of Glen; Marty Rogers who became a beloved friend of Sandy; and Nancy Fulton, Glen Oberg’s cousin.   

She took a week-long class taught by Jerry Stitt on Camano Island. This was amazing for her because as a child, from 6 months to 18 years, her family came to Camano every August for one or two weeks at Madrona Beach Resort  on the West side of the Island.  At the end of the holiday, when the kids piled into the back seat to go home to Seattle, there would be a tear in Sandy’s eyes. So the class tied together two of Sandy’s loves: for painting and Camano. The class painted at many of the same places Sandy remembered as a child. In that class, Sandy also met April Nelson, daughter of northwest artist Jack Dorsey, and she became a precious art friend. 

A number of art communities have nourished Sandy in her art journey. Sandy got involved in Art League North. They met at the Fire Station Mount Vernon.  After the official meeting they would  go out to lunch afterwards. This is where her friendship with Marty Rogers deepened. Marty’s husband Earl Jorgensen was a part of that group. So were Glen Oberg and Nancy Fulton. She remembers “magic moments” painting plein air with them. That was her first artist group. 

Sandy also was also part of a wonderful critique group with Betty Dorotik. Members of this group grew together, ate together, and enjoyed each other’s company. All Bellevue gals, they now live on Camano Island, Whidbey Island, Idaho, and Montana, with one, Pia Messina, passing on. She remembers those as being “rich times.” 

Another small community is a couple of friends who have been painting weekly for over twenty years. Sandy and Genny Rees began painting on Mercer Island in the late 1990’s. When the first building that they met in got torn down, they moved to the community center. Sandy says that she and Genny had become so close that they were going to meet or else. A few years later Seiko Konya come along. Sandy remembers that Seiko was obviously gifted with painting, but was kind of struggling with painting flowers and backgrounds. “And then she subtly did this little portrait and our mouths just dropped open,” Sandy remembers.  “The portraits are so easy for her to do. Particularly if she does family.” Sandy and Genny encouraged her to try for a show. Seiko entered a painting of a violinist in the Northwest Watercolor Society show. So the first time of trying, Seiko got in the show, got an award, and sold the painting. Seiko was off and running. 

Like Seiko, Sandy has been encouraged by the community of artists. Being in this community is very humbling for her because she sees their paintings, and aspires to paint like that. But Sandy realizes that each artist comes with their own inward voice, a style that will be their painting voice. It’s going to be different for every person. “I can’t paint like Seiko. I can’t do those portraits,” she points out. But she feels very lucky about the friendships that she’s made through art. So much of her artistic journey has been about the friendships she’s made and being around artists outside of just painting. “There’s something very common in all of us,” Sandy says, “we love the beauty around us, we have much in common in how we see life and what’s really important to you. We’re not really money grabbers. If we had to pay to paint, we would do that. 

JOYS AND STRUGGLES OF ART

For Sandy, the joys came so much at first. “You were taking a while piece of paper, and then there’s a flower (painted on it) and I was thinking, ‘Boy, I’m pretty good.’ She continues, “You start out by being amazed at what you can do. And the longer you are at it, the more you ask of yourself, the harder it becomes. I would want to be painting better at this time than I am.” Sandy points out that though artists usually paint alone, “We can’t live as a recluse. We’ve got to be engaged in life to be painting life.” So while Sandy doesn’t like to be interrupted when she’s painting, she knows that’s unrealistic when you have children and grandchildren.

Sandy has set up a small studio in their home, just off the dining room. It’s part of the house, not an isolated room. The studio has windows on two sides, and so has wonderful light. Sandy has finally gotten shades for the windows so that she can close it off at night, keep it cool in the summer and warm in the winter. Sandy’s studio – a designated place to paint next to the kitchen/dining room, the hub of the home – ties together two of her passions: her people and her painting.  But how to hold the two together is a conundrum for Sandy. 

ON WATERCOLOR

Sandy loves how with watercolor you can be painting and your brush runs through a a little puddle of water and the paint color just – woosh – magically and spontaneously color the clear water and spread over the paper. She is fascinated by how you can paint layer upon layer of watercolor, letting the transparent colors build on each other.

When Sandy paints flowers she would put in a wash of a little yellow, then red. From the outset the painting had a glow and this became a kind of trademark. Her friends would walk into a gallery and see a painting and know it was her work before they saw her name on the painting. Sandy remembers being struck by how you can erase the pencil marks from watercolor paper after you paint on it. She likes Arches Watercolor paper, and is loyal to Windsor Newton paints. She enjoys how it takes very little for an artist to go off to class or paint with friends: “When I go off to class I have to have paper, paints and brushes. That’s it. It’s pretty simple.” 

She also knows that watercolor is not easy. You have to keep yourself going, keep growing, keep learning. There’s always the danger of getting the painting to tight. You have to know when to walk away from a painting and try a new subject matter. You need to know when to push yourself and try something uncomfortable, or meet a new teacher along the way. For example, she’ll take a class from Eric Weigart, when she has to “loosen up” her paintings. 

Watercolor is a challenging medium. But less challenging when the artist is walking with the encouragement and wisdom of the community of artists. 

LESSONS ALONG THE WAY

A wise old artist, Chuck Webster, once told Sandy that she would have to do her painting by herself. “That’s where you’re going to do your successful painting,” he said. Then added, “make sure once a week you’re in community.” Sandy has taken his guidance seriously. She paints in her studio and each week tries to connect with other artists on a weekly basis, whether through a class or the small communities of artists she is involved in. 

She took one class from Gerald Brommer on integrating collage and acrylic in a more abstract way. She remembers that he was a phenomenal teacher, but was actually more impressed by the fact that even though he was in his 70’s, had recently had a hip replacement, and was jurying the Northwest Watercolor Society show, and was out every night, he was still so energetic. Sandy asked herself, “where did he get his energy?” And she concluded, “from painting.”

Many of the lessons we learn in the context of community is not so much what people say, but it is how people live. 

LEGACY

When asked about her legacy, Sandy is very humble. She hopes her family enjoys her paintings. She laughs and says her art legacy is very simple: “just anything other than they used the painting in the birdcage.” She would like to hear from the grandchild saying, “I loved it when she painted me playing baseball.” She adds that when an artist gets rid of a piece of work, we don’t know if it’s treasured. “Every once-in-a-while I’ll hear from a person who bought a painting long ago and they’ll say, ‘Oh we love our painting.’” That means a lot to her. 

Sandy remembers how once a lady came into the “Art Barn” hosted by Art League North at the Tulip Festival. She wanted Sandy to match her bedspread, and the painting was going to go over the bed. Sandy chuckles and points out that “It was a nightmare…you don’t want that.” But still she did it. And it was worth it! This woman and her husband have since bought 6 paintings. They have visited Sandy and Fred, and send Christmas cards every year.  They have become part of Sandy’s artistic community too!

Sandy is just satisfied “If she’s given any joy along the way.” 

EPILOGUE

This article has been especially fun since I got to know Sandy all the way back in 1992-1993. Jenny and I were married in June of 1992. We spent the following year living on Camano Island where I served a one year pastoral internship at Camano Chapel. During this time I got involved in a watercolor class that was taught at the senior center on Camano Island through Skagit Valley College. Part way through the year our teacher left, and I assumed the role of teaching the class in her place. One of the students was Nancy Axell, who was featured in our 2018 Vintage Show. Another was Sandy Langford who is, of course, in the 2019 show. This was a very fruitful year of painting for me. I entered a number of national and international shows and got accepted in many, and even won a few prizes. At that time I even considered going into art as a career. In the end, I decided to put my paintbrushes away and finished up my seminary studies and went into full-time ministry. What a joy it has been, in returning to Washington State, and living in Redmond, to reconnect with Sandy and to be neighbors. And what a joy it is to feature her beautiful artwork in our Vintage show.

Author: Jason Dorsey

2019 VINTAGE WATERCOLORISTS OF WASHINGTON

  • Saturdays, March 9, 16, 23 and 30, 10am-5pm
  • Artist Reception: March 9, 3-5pm
  • At Sunnyshore Studio: 2803 SE Camano Drive, Camano Island, WA

Lineup of artists for “Christmas in Miniature” show

We have a wonderful lineup of artists for our Christmas in Miniature show that opens on Saturday, December 1st, 10am-5pm. You won’t want to miss our “meet the artist” reception from 3:00-5:00 on the 1st. You’ll recognize some “big name” artists in the northwest as well as some emerging artists.

Each artist was told that they must keep their paintings to no more than 12” by 16”, or 160 square inches. You’ll be delighted to view their original small and affordable paintings.

Here’s the lineup:

Lydia Crouch

Lydia

Lydia Crouch is most often referred to as “the one who paints the dresses,” as her heart toward the emotional recovery of human trafficking victims is a passion that comes through in her work.  She also loves painting simple moments from her world at home on Camano Island.  She is married to Rich Crouch and has two grown children.  She more than grateful to be adopted into Dorsey Studios where she paints live on Thursdays at the Gallery in Camano Commons.

Ann Cory 

Ann Cory

Ann Cory is the granddaughter of nationally famous illustrator/cartoonist/artist Fanny Y. Cory. She is the wife of Northwest artist, Jack Dorsey, and the mother of artists Jason Dorsey, April Nelson, and Jed Dorsey.  She has been a on again, off again artist throughout her adult life during her life seasons.  Now, after a bout with cancer in 2015, she is on again and enjoying it very much.

 

Marilyn Crandall

Marilyn

As a plein-air watercolorist, Marilyn Crandall‘s free and loose strokes uniquely capture landscape images and country scenes with an emphasis on strong patterns of light and dark.

This artist grew up in several western states as her engineer dad worked on the large hydroelectric dam projects from Arizona to Oregon, California to Washington, Utah to Montana.   She graduated with honors from Parsons, The New School for Design in New York City where she majored in Environmental Design.  Prior to that she attended the University of Washington, College of Architecture, where she was introduced to watercoloring as a way to render her designs.   Her profession has been as a registered architect; her passion is watercolor.

She feels privileged to have taken workshops with Eric Weigardt, Tony Van Hasselt, Kathy Collins, and Diane Hill, among others. All have been mentors. She is a member of the Washington Watercolor Society, the Roaming Artists, and CAA, Camano Arts Association.

She has painted abroad in Guatemala, China, Korea and Mexico as well as in the USA in Maine, Virginia, Georgia, Washington DC and now can paint the coastal scenes and rural landscapes of Washington State, particularly the amazing Salish Sea area.

Betty Dorotik

Betty Dorotik

“My love of birds greatly influences my works either on canvas, paper, or wood. Nature is my resource and is abundant outside my window or door, always pausing me to watch and observe and apply. “ bettydorotik.com

 

Jack Dorsey

Jack Dorsey - Color

Jack Dorsey is a lifelong resident of Washington State and is a graduate of Seattle Pacific College.  He has to his credit two one-man shows at the Frye Art Museum in Seattle and a one-man show in Tokyo, Japan.  Jack Dorsey’s art has been collected by the Frye Art Museum and the LaConner Historical Museum along with numerous corporations and private collectors throughout the U.S.A. and internationally.

Jack Dorsey  is a former president of the Northwest Watercolor Society and a past member of the Puget Sound Group of Painters.  Currently he is a life member of the Northwest Watercolor Society and an associate member of Oil Painters of North America.

Jack Dorsey’s emergence back into the art world came in 1997 after retirement from the Boeing Company after sixteen years as a production illustrator in Everett.  In the past few years collectors started to find Jack Dorsey’s fine art during the annual Mother’s Day Studio Tour on Camano Island where he makes his home.  Jack Dorsey is known for his watercolors which can be described as impressionistic realism.

It is interesting to note that all of Jack’s family are artists also.  His wife, Ann Cory paints in acrylics; the youngest son, Jed Dorsey paints in acrylics and oils; while April and Jason Dorsey have achieved painting success also.

As a long established Northwest artist, Jack Dorsey cordially invites inquiries and visits to his home if anyone is interested in collecting his fine art.

 

Jacqueline Dorsey

Jackie Dorsey

Jacqueline was born in Seattle, Washington in March of 2002. She grew up in Indiana and loved exploring the beauty of the Midwest and the Northwest as a child.

Jackie always enjoyed doing and watching family members do art. She decided she wanted to learn how to do watercolor and joined the Dorsey Art Show at The Harrison Gallery in Indianapolis. She sold her first painting, and soon after that, was asked to do her first commission. Jackie has been painting and learning ever since, showcasing a few paintings at the Mother’s day shows here on Camano each year.

She is currently taking a watercolor class as a Running Start Student at Bellevue College. Along with her family, she has been working on creating an extension of the Sunnyshore Studio by building a tiny house. The tiny house will serve as a place to create, showcase her art as well as others, will serve as her own place to spend time with the people she loves, and as a place to share the beauty of Camano with the world. Jackie is also partnering with her dad, Jason Dorsey, on a two year project, Discover Beautiful Camano Island, to aid in the creation of a book, documentary, and art show.

 

Jason Dorsey

DSC_4735 (2)

Jason Dorsey a pastor of Redeemer, a Presbyterian church in Redmond, WA. On the side, he is the Artistic Director of Sunnyshore Studio, serves as president of the Camano Arts Association, and chairs the Stanwood-Camano Arts Advocacy Commission. Jason grew up in a family of artists and enjoys teaming up with them now in the “family business”. As a watercolor artist, Jason enjoys integrating watercolor and writing in books.

Jed Dorsey

Jed Dorsey (1)

Award winning artist Jed Dorsey is known for his radiant acrylic landscapes. He uses bold colors and strong design to portray his vision of the world. His work has been featured on the HGTV show Good Bones, included in museum collections, and can be found in homes and businesses throughout the U.S. and Canada.  Jed grew up on Camano Island and is happy to be living in the area after many years away. You can find him painting and teaching at Dorsey Fine Art Studio located at Camano Commons on the island. www.jeddorseyart.com

John Ebner

best J. Ebner - Feb 2018 (6)

John Ebner began a unique, life long journey of discovery while growing up on his family’s farm in Sublimity, Oregon. His enthusiasm for life and never ending curiosity were energized through freedom on the farm and the adventures with three brothers, one sister and loving parents. Little did he realize that one day he would give artistic expression to all he was discovering and more.

In the seventh grade, John submitted a collection of his drawings of birds and flowers to his grade school teacher and was surprised his work received so much praise. He continued drawing and painting and eventually enrolled in art school. As an adult and needing to earn a living. John was engaged as a manufacturer’s representative, covering the Northwest and continued to explore painting in his spare time.

With his love of art and his creative spirit, John’s path of discovery took an interesting turn. What once was a hobby turned into a passionate dedication and his talent flourished. Continuing to support his family he began developing his artistic skills, produced an assortment of paintings and delivered them to a local gallery. To his surprise, the gallery contacted him a short time later saying all paintings have been sold and requested he create more. Further sales and requests brought John the realization he just might be able to support his family by painting full time and presented the idea to Paula. She wholeheartedly agreed and from that point forward he devoted his life entirely to his art.

The next step in John’s journey of discovery answered that question and served as a critical turn in the road. From the beginning of their marriage, John’s wife Paula, had served as his main source of encouragement and inspiration. Perhaps sensing that John was ready for a major change, she signed his up for a watercolor course, leading to his dramatic transformation.

Over the next few years John’s popularity grew, the demand for his paintings increased and he is now considered on of the Pacific Northwest’s most admired and collected artists.

Many of the captivating qualities of John’s work are apparent. His life-long love of the Pacific Northwest is revealed through the countless compelling vistas he has captured. His curiosity always drawing him to the next step, newest technique and desire to see beyond the obvious. Although reluctant to define his own work, preferring that it speak for itself, he admits that the magic of water has served as an element continually engaging his imagination. He frequently returns to explore the serenity and essence of waterfalls, rivers, seascapes, and beaches that invite him to look beyond the mist. His unique and recognizable motif of rain People huddled under umbrellas, strolling on an ocean beach or lingering on a city street add a timeless and etherial dimension to his work.

John’s artistic journey continues as he experiments and explores new forms, subjects and techniques. He is forever grateful for the many emotional rewards his art provides him as well as the gratification and joy voiced by others who see or own his work. Ever humble, ever curious, John is still looking to discover what lies on the other side of the mountain or beyond the mist.

John is a past president of the Northwest Watercolor Society and a life member of the Puget sound group of Northwest Artists.

Laurie Laun

Laurie 2

Born in Michigan in 1946, Laurie has practiced art throughout her life, including early study at the Chicago Art Institute.  While raising her family and earning several college degrees including an MBA, she served for many years as an executive in high tech companies.  In her travels to over 30 countries Laurie has become informed by many artistic cultures: she mastered batik in Java, aboriginal dot painting in Australia,

mulberry paper-making in Fiji, wood engraving and block printing in Singapore and haiku poetry in Japan.  She lives on beautiful Camano Island.

Amy Martin

Amy Martin

Amy Martin is a graduate of Edinboro University of Pennsylvania with a BA in Creative Writing and a minor in Painting.  Her eclectic oil and acrylic paintings are inspired by the beauty all around her­­–the color of coffee in a cup, a blooming poppy, the angular white of a ski slope, or an airplane swooping to land on a river.  Amy’s former professions include Army Blackhawk helicopter pilot and Boeing Change Specialist which fuel her passion for aviation and birds-eye-view paintings. Currently, she lives and works from her home studio on Camano Island in Washington where she shows annually in the juried Camano Arts Association Studio Tour. She is enrolled in Goddard College’s MFA Creative Writing Program and is working on a book length flight memoir.  She can be found on FB @juniperbeachstudio and Instagram at Amy_martin_artist.

April Nelson

April Nelson

April enjoys sharing the natural beauty of the world through art. Whether she is capturing the rich colors of dusk on a slough in the Skagit Valley or the thundering rise of a flock of snow geese, creating art is about seeing and thinking together. She appreciates the beautiful world that God created and she hopes that her art will communicate this to the viewer.

 

John Ringen

John Ringen

John was President of NWWS in 1964–1965, and has fifty years of impressive credentials; teaching numerous classes and workshops at college and adult levels, commercial illustrating, and judging a variety of festivals, exhibitions and open shows primarily throughout the Northwest. He has an enviable list of exhibition awards.

John and his wife of 43 years, Vicky, spend half their time each year in their motor home traveling to Yellowstone, the Tetons, and up and down the coast, visiting some of the finer wineries (he has quite a fine collection of wine). When home, he paints every day; at least 4 hours or more in his fantastic studio/gallery which is separate from his house. That way he “doesn’t have to clean up all the time.”

John attended the University of Washington on an athletic scholarship though he “wasn’t much for athletics.” After marrying Vicky, he joined Boeing when children came into their world. His strong inspiration to pursue art was fueled by two things: the only thing he ever got an A on in school was art, and his uncle, a commercial artist, always supplied him with whatever art materials he needed.

John works on up to fourteen paintings at once. He loves to paint anything that has to do with Northwest scenery and landscapes. His loose, impressionistic painting style has earned him frequent accolades and awards.

Regarding himself as an artist who records his visual impressions and feelings, he is a “reaction painter.” John enthusiastically proclaims that there is nothing quite as exciting, challenging and rewarding as attacking a crisp white sheet of watercolor paper.

Melanie Serroels

Melanie Serroels

Melanie started in watercolor during the last year of High School. She took workshops with collected Pacific Northwest Artist Charles Mulvey during college, and then when time permitted then took workshops with Robert Landry. Jack Dorsey & Thomas William Jones, Dianna Shyne and also Jed Dorsey. Melanie paints with both watercolors and acrylics.  She is a member of the NW Watercolor Society.  Since the first arriving on Camano Island in 2004 she has been a member of two local art groups, Camano Arts Association and the Stanwood Camano Art Guild. Currently, she volunteers several hours per week for the Camano Arts Association doing administrative work for CAA’s 80+ Members. Her camera is full of paintings ideas.  Her painting representative style reflects the calm water and scenery of the Pacific Northwest.  The views from her waterfront home and the constantly changing atmosphere outside keep her in painting mode until something distracts her.  Melanie is often caught between volunteering and finding time to pursue her painting

Being avid volunteers both Melanie and Randy like being involved in their community. Here are some of her volunteer and art related activities and accomplishments: Stanwood Camano Art Guild/SCAF Road Banner Project and Auctions; Stanwood Camano Arts Spring Show – First Place Award; Snow Goose Poster Winner in 2006; Snow Goose Festival Committee Volunteer – Snow Goose Festival Family Activities Program and Bird Art Show at Four Springs House and Lake Preserve; Stanwood Chamber of Commerce Office – Volunteer and Art walk; Gallery and Gallery Shows – Seagrass on Camano; Stanwood Camano Art Guild – Art In Public Places; Five Camano Arts Association Studio Tours; Camano Community Center Gala Auction Volunteer.

Travel, visiting friends and family, and spending time with her 3 young Grandchildren fill in her calendar. Trips to Las Vegas, Victoria BC, Disneyland, International Kite Festival and a 2,250 mile road trip down the West Coast inspired her minds eye this year. Trips to Alaska and Disneyland with her youngest granddaughter are already booked for 2019.

The Christmas in Miniature show opens on Saturday, December 1st. It runs through Saturday, December 8th. Sunnyshore Studio will be open both Saturdays 10:00am-5:00pm.

Christmas Poster 2018

 

 

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